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However, its success would be overshadowed by the dawn of the superhero Silver Age which started with Showcase 4, 1956. Superman’s Pal Jimmy Olby Binder/Swan was a major success, and with those Shazam superhero concepts with Swan’s clean look, that started some momentum for a Silver Age look at DC which no one else was doing at the time.

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Superman TV show was a hit & Mort Weisinger put Otto Binder to work after National had Fawcett stop using the Shazam character in 1954. To get a sense of the environment in which Schwartz would plot or create characetrs, its important to understand some of the moving parts. Schwartz would pick and choose from these early science fiction concepts as he created and plotted characters and stories as editor. When EC comics printed sci-fi, Schwartz pushed the sci-fi genre and edited these two sci-fi comics dated 19. Schwartz excelled at writing Comics of a sci-fi nature. In 1944 he became editor at All=American Comics which was purchased by Dc Comics, at which he was an editor at National/DC comics. In the meantime, Schwartz and Weisinger represented Pulp writers from 1934-1944, and during this time Schwartz organized the first World Sci Fi Convention in 1939. This meeting of the minds over sci-fi would then establish what they, especially Julius Schwartz would later bring to comics.

As these fans are able to contact each other and start fan magazines (fanzines), three notable fanboys are Julius Schwartz, Mort Weisinger and Forrest Ackerman who wrote their fanzine The Time Traveler in 1932.

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Amazing Stories printed full addresses of the fans who wrote letters to the editor, and these fans would then mail and write to each other. There were many golden age comic artists who were inspired by these images, notably Jerry Siegel, Jack Kirby, Mort Weisinger and Julius Schwartz. To help elaborate on his vision, he discovered architect, Frank R Paul, for his cover and interior illustrations. Hugo Gernsback is thought to have created the first pulp magazines purely devoted to Science Fiction in 1926 called Amazing Stories, and another called Science Wonder Stories. To understand Julius Schwartz, we must go farther back to examine his science fiction idol, Hugo Gernsback. Today we are focusing on Julius Schwartz and what he brought to DC Comics, and comic books in general as one of the key 20th century Comic Book historical figures. Hello and welcome to another episode of Comic Book Historians. Please read article and/or Click to watch video: